01
Two days on set
We come to you and shoot everything across two days. One location and one look will not carry a month, so we build in the variety while we are there. You block the days out once and that is your part done.
The Etkins Media Group
Coverage
We shoot it, we cut it, and we hand you the month.
The Etkins Media Group
Two days of shooting. Thirty days of content, ready to post.
Book a 15 minute callThe real problem
A customer searching for you right now sees your last post. If it is four months old, they do not think you are busy. They think you are gone. The competitor down the road posts every week. They are not better at the job. They are just the one who showed up on the screen.
The work
Watch the full episode on YouTube , opens in a new tab
Event coverage
Street interview
Studio piece
Captioned explainer
Sound on. The wide one is the opening of a full episode. The four below it are cut for the feed.
How it works
Plenty of people will tell you they can do it in one. One day gets you footage. Two gets you a month that does not look like the same post thirty times over.
01
We come to you and shoot everything across two days. One location and one look will not carry a month, so we build in the variety while we are there. You block the days out once and that is your part done.
02
Those two days become thirty separate pieces. Different hooks, different lengths, different angles on the same story.
03
You get them ready to go, captioned, sized for every platform. No editing, no thinking about it.
Press the shutter
Press the shutter
That is coverage. Two days with us, and a month you never have to think about.
The rule
When we take you on, we close your category in your area. Your competitor cannot hire us, cannot get the same look, and cannot buy the same run of content. That costs us work. It is worth it, because content your rival can buy a copy of is not an advantage. It is just noise with your logo on it.
Straight answers
It is a monthly rate, not a film production budget. Most people picture a crew, a studio and a five figure invoice, and that is not what this is. You get the number on the first call and it does not move afterwards.
One day gets you footage. Two days get you footage worth posting. A single day means one location, one light and one look, so the month ends up being the same post thirty times over. The second day is where the variety comes from, and variety is the whole reason a feed keeps working. We move quickly. We just do not rush the part that decides whether any of it lands.
Plenty of our best work has no owner in it. We shoot the space, the process, the product and your team. If you do want to be in it, we make it easy and we cut around the awkward bits.
You will see it in saves, shares and the people who walk in already knowing who you are. We tell you what to watch before we start, so you are not guessing later.
That is the point of shooting it all up front. The month is already in the bank before you get busy.
We book in six and twelve month runs, and that is on purpose. One month of posting does not move anything. What works is still being there in month five, when somebody who saw you back in month one finally needs what you do. The commitment is the part that does the work. You will have your first month of content in hand early, so you are not waiting half a year to find out what you bought.
Last thing
Fifteen minutes on a call. We ask about the business, you see examples close to your world, and you get a number. No pitch deck.
Got it. We will come back to you within one working day.